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Lucy Raven, Chinatown, 2009
The filmmaking of Lucy Raven investigates the changes caused by globalization on both material and immaterial levels. Fionn Meade converses with the artist to retrace her explorations, from the dislocation of the work force to the question of visual formats, whose fates seem to intersect. Even the most innovative visual formulae, like 3D, have undergone a radical reconfiguration due to the delocalization of labor, leading to hypertrophic post-production and an incessant production cycle.